is an essay-calendar made in response to the limits of modern time—opening a temporality that makes room for observation, sensation, and slower ways of being. Inspired by the 24 solar terms, this calendar invites a softer way of noticing: light shifting across a room, winds cooling at dusk, a plant unfolding on the windowsill. It is also a tool for creating your own solar terms—naming the rhythms that emerge from your place, your body, your community.
collaboration work with Chen Weiyu 陈薇羽
editor: Chen Weiyu 陈薇羽 (Special thanks to my mom for lovingly proofreading the text.)
graphic design: Liou Yuh-Chyi 劉育齊
typeface 字體: Grenette by Colophon Foundry, 蒙纳宋体 M Sung PRC by Monotype
paper: Rebello Blauer Engel 100g/m²
print: RISO, at HGK Basel
year: 2025
2025 Taiwanese mass electoral recall campaigns 罷/
Timeless Freedom 民主換日線
designer 設計師: 劉育齊 YuhChyi Liou
typeface 字體: JL Impact Nieuw 2021 Emboldner
year: 2025
special thanks: everyone who fight with hopeless, bios monthly, clare
photographer 攝影師: Dannison Wong、陳建威 JianWei Chen、楊慧欣 Uli Yong
designer 設計師: 劉育齊 YuhChyi Liou
typeface 字體: Elliotts OT, Parallel, Routed Gothic
year: 2024
yyin. volume 1
yyin. a bilingual English-Chinese art publication, captures and explores the enigmatic narratives of yin, and brings together the creative talents of the LGBTQ+ community and its advocates to develop experimental graphic artworks that express society’s gender diversity and provide a global platform for such stories to be heard.
yyin 圍繞當代尚未被充分挖掘及探索的性別議題，邀請LGBTQ+社群及關注相關議題的創作者們與平面設計師合作，展開實驗性的視覺藝術創作。首期以「陰性」為主題，由23位背景多元的創作者及平面設計師參與。
founder 計畫發起: 王昱惟 Yagi Wang
editorial board 編輯: 王昱惟 Yagi Wang、羅健宏 Jesse Lo、林明進 Leigh Lin
art direction 藝術指導: 牛俊強 JunQiang Niu
design direction 設計指導: Shauba Chang
publisher 出版發行: dmp editions
adviser: Fanny Suhendra
designer 設計師: 劉育齊 YuhChyi Liou
typeface 字體: Comic Sans
year: 2023
Do not deceive yourself about the things you like the most.
artist: 王元勤、黃琹輿、陳采琳、林琦珍、孔德明、楊子霏、王祥宇、陳婉瑜、溫敏喻、吳泓震、何佳諭、蔡書珩、張維中
designer 設計師: 劉育齊 YuhChyi Liou
typeface 字體: Gurmukhi Sangam MN, 思源黑體
year: 2022
「一九六九這一年，總是毫無辦法地令我想起泥沼。每抬起一步要移動時，鞋子便會完全脫落似地沈重黏著泥沼。我在那樣的泥沼中，一面非常辛苦勞累一面走著。前方和後方都看不見任何東西。只有那色調陰暗的泥沼無止境地延伸而已。
連時間都配合著我那樣的腳步搖搖晃晃地流過去。周圍的人老早已經往前走得很遠了，只有我和我的時間還在泥沼中蹣跚地繞著爬著。在我周圍，世界正急遽改變。在這個時期裏，約翰·柯川啦，什麼人啦，死了很多。人們吶喊著要改革，看來改革似乎馬上就要來到那轉彎角了。但那一切的一切發生的事情都只不過是沒有實體而無意義的背景畫而已。我幾乎頭也不抬，只是一天一天地過著日子而已。我眼睛裏所映出來的只是無限延伸的泥沼而已。往前踩下右腳，舉起左腳，然後又抬起右腳。連自己在哪裏都不清楚。也沒有信心是否正往正確的方向前進。只是不能不往什麼地方去，所以才一步一步移動著腳步而已。」 《挪威的森林》村上春樹
透過虛構一系列跟史實不同的事件，並假設自己是當時的設計師，希望可以去討論「歷史是如何影響平面設計、平面設計又是如何影響歷史。」
adviser: 蕭勝文
designer 設計師: 劉育齊 YuhChyi Liou
special thanks: 張維中
year: 2022